Le Dedale des Maudits - Brille Au-dela Du Temps
Lable: Slaughter In Art
Year: 2009
Subtile neoclassical arrangements meet the might of martial percussions... Luxuriance combinated to voluptuousness and refinement of the 1st french Empire (1804-1814)... 6 tracks of unique subtile neo-martial orchestation for an homage to m (more)other Europe Comes in a DVD case stricly limited & handnumbered to 200 copies.
Tracklist:
1 Dithyrambe
2 La Charge des Tuniques Ecarlates
3 Mimesis
4 Le Joug du Sacrifice
5 Duel
6 Narcose
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Showing posts with label Martial. Show all posts
Showing posts with label Martial. Show all posts
13 July 2010
5 June 2010
Laibach-Let It Be
Laibach-Let It Be
Year: 1992
Lable: Mute U.S.
Having successfully polarised opinion between those who thought they were a deeply sinister claque of Balkan neo-fascists, and those who had concluded that Laibach were an amusing but rather silly situationist prank, Laibach trumped all expectation and belief with Let It Be: a cover version of the entire Beatles album of the same name, with the exception of the title track. The sleeve was also a pastiche of the original: Laibach's four core members glowering into the middle distance with the grim determination of Eastern Front foot soldiers determined to see out the Russian winter and storm Moscow when the snows melt; inside is a grisly black-and-white representation of the Four Horsemen of the Apocalypse.
A response to the situation in Slovenia in '88, Laibach transcended the limitations of statist politics and classic rock stereotypes by reworking the only Beatles album not arranged by George Martin. By presenting the first cultured interpretations of the compositions, Laibach moved into the realm of Haydn and Dvorak.
There may well have been some sort of point to it all--Laibach always gave the impression that there was, even if it was likely to be lost on anyone outside the group--but it hardly matters. Let It Be is one of the most hilarious albums ever made. "Get Back" is rendered in Laibach's trademark style, reworked as a gruff, Germanic marching song. "Two Of Us", "Dig A Pony" and "For You Blue" are similarly riotous fun, and "The Long And Winding Road" is barely recognisable, a ghostly, atonal and oddly beautiful lament, back-dropped by ominously chanting crowds. The crowning achievement, however, is a startlingly gorgeous "Across The Universe", delivered absolutely straight-faced by an angelic female chorus.
That Laibach are as mad as trombones is beyond doubt. But they are never boring. Definitely worth checking out.
Year: 1992
Lable: Mute U.S.
Having successfully polarised opinion between those who thought they were a deeply sinister claque of Balkan neo-fascists, and those who had concluded that Laibach were an amusing but rather silly situationist prank, Laibach trumped all expectation and belief with Let It Be: a cover version of the entire Beatles album of the same name, with the exception of the title track. The sleeve was also a pastiche of the original: Laibach's four core members glowering into the middle distance with the grim determination of Eastern Front foot soldiers determined to see out the Russian winter and storm Moscow when the snows melt; inside is a grisly black-and-white representation of the Four Horsemen of the Apocalypse.
A response to the situation in Slovenia in '88, Laibach transcended the limitations of statist politics and classic rock stereotypes by reworking the only Beatles album not arranged by George Martin. By presenting the first cultured interpretations of the compositions, Laibach moved into the realm of Haydn and Dvorak.
There may well have been some sort of point to it all--Laibach always gave the impression that there was, even if it was likely to be lost on anyone outside the group--but it hardly matters. Let It Be is one of the most hilarious albums ever made. "Get Back" is rendered in Laibach's trademark style, reworked as a gruff, Germanic marching song. "Two Of Us", "Dig A Pony" and "For You Blue" are similarly riotous fun, and "The Long And Winding Road" is barely recognisable, a ghostly, atonal and oddly beautiful lament, back-dropped by ominously chanting crowds. The crowning achievement, however, is a startlingly gorgeous "Across The Universe", delivered absolutely straight-faced by an angelic female chorus.
That Laibach are as mad as trombones is beyond doubt. But they are never boring. Definitely worth checking out.
Tracklist:
01 Get Back 4:25
02 Two of Us 4:04
03 Dig a Pony 4:43
04 I Me Mine 4:15
05 Across the Universe 4:40
06 Dig It 1:31
07 I've Got a Feeling 3:43
08 The Long and Winding Road 4:35
09 One After 909 1:48
10 For You Blue 3:20
11 Maggie Mae 5:09
01 Get Back 4:25
02 Two of Us 4:04
03 Dig a Pony 4:43
04 I Me Mine 4:15
05 Across the Universe 4:40
06 Dig It 1:31
07 I've Got a Feeling 3:43
08 The Long and Winding Road 4:35
09 One After 909 1:48
10 For You Blue 3:20
11 Maggie Mae 5:09
pw: cuddlefish
13 May 2010
Rome-Nos Chants Perdus
Rome-Nos Chants Perdus
Lable: Trisol
Format: CD, Album, Limited Edition
Country: Luxembourg
Style: Neofolk, Darkfolk
Waiting so long for this!!~Enjoy
Tracklist:
01. L'Homme Revolte 01:07
02. Les Deracines 04:09
03. Le Chatiment du Traitre 03:44
04. L'Assassin 04:08
05. Le Vertige du Vide 03:40
06. Les Exigences de la Foi 01:57
07. La Commune 03:12
08. Sous la Dague 04:17
09. Les Isles Noires 03:42
10. Un Adieu a la Folie 03:53
11. La Rose et la Hache 04:02
12. Chanson de Gestes 06:02
Download
Lable: Trisol
Format: CD, Album, Limited Edition
Country: Luxembourg
Style: Neofolk, Darkfolk
Waiting so long for this!!~Enjoy
Tracklist:
01. L'Homme Revolte 01:07
02. Les Deracines 04:09
03. Le Chatiment du Traitre 03:44
04. L'Assassin 04:08
05. Le Vertige du Vide 03:40
06. Les Exigences de la Foi 01:57
07. La Commune 03:12
08. Sous la Dague 04:17
09. Les Isles Noires 03:42
10. Un Adieu a la Folie 03:53
11. La Rose et la Hache 04:02
12. Chanson de Gestes 06:02
Download
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