Les Rallizes Dénudés - Live (2004)

Les Rallizes Dénudés - Live (2004)
10cd

http://rapidshare.com/files/400652868/Live.part1.rar

http://rapidshare.com/files/400653659/Live.part2.rar

http://rapidshare.com/files/400656690/Live.part3.rar

http://rapidshare.com/files/400661703/Live.part4.rar

http://rapidshare.com/files/400660345/Live.part5.rar

http://rapidshare.com/files/400660885/Live.part6.rar

http://rapidshare.com/files/400661838/Live.part7.rar

Les Rallizes Dénudés - 1980 Live & Soundboard (2003）

Les Rallizes Dénudés - 1980 Live & Soundboard (2003）
10cd box

http://rapidshare.com/files/400652087/1980_Live___Soundboard.part1.rar

http://rapidshare.com/files/400653915/1980_Live___Soundboard.part2.rar

http://rapidshare.com/files/400652552/1980_Live___Soundboard.part3.rar

http://rapidshare.com/files/400653694/1980_Live___Soundboard.part4.rar

http://rapidshare.com/files/400652427/1980_Live___Soundboard.part5.rar

http://rapidshare.com/files/400652972/1980_Live___Soundboard.part6.rar

http://rapidshare.com/files/400652138/1980_Live___Soundboard.part7.rar

http://rapidshare.com/files/400642693/1980_Live___Soundboard.part8.rar

Les Rallizes Dénudés - Studio & Soundboard (2004)

Les Rallizes Dénudés - Studio & Soundboard (2004)
10cd box

http://rapidshare.com/files/400661048/Studio___Soundboard.part1.rar

http://rapidshare.com/files/400661283/Studio___Soundboard.part2.rar

http://rapidshare.com/files/400663343/Studio___Soundboard.part3.rar

http://rapidshare.com/files/400662137/Studio___Soundboard.part4.rar

http://rapidshare.com/files/400661885/Studio___Soundboard.part5.rar

http://rapidshare.com/files/400660269/Studio___Soundboard.part6.rar

Les Rallizes Dénudés - 81-88 Live & Soundboard (2004) [10CD BOXSET]

Les Rallizes Dénudés - 81-88 Live & Soundboard (2004) [10CD BOXSET]

http://rapidshare.com/files/400640672/81-88_Live___Soundboard.part01.rar

http://rapidshare.com/files/400641378/81-88_Live___Soundboard.part02.rar

http://rapidshare.com/files/400641664/81-88_Live___Soundboard.part03.rar

http://rapidshare.com/files/400641388/81-88_Live___Soundboard.part04.rar

http://rapidshare.com/files/400641219/81-88_Live___Soundboard.part05.rar

http://rapidshare.com/files/400640850/81-88_Live___Soundboard.part06.rar

http://rapidshare.com/files/400641171/81-88_Live___Soundboard.part07.rar

http://rapidshare.com/files/400641097/81-88_Live___Soundboard.part08.rar

http://rapidshare.com/files/400640925/81-88_Live___Soundboard.part09.rar

http://rapidshare.com/files/400641432/81-88_Live___Soundboard.part10.rar

http://rapidshare.com/files/400647841/81-88_Live___Soundboard.part11.rar

静香 (shizuka)

Japan's Shizuka were once (and maybe are again) an up-and-coming four-piece Tokyo psych outfit, you might know 'em from their contributions to PSF's Tokyo Flashback compilation series, or their studio album on that same label, or their amazing but now sadly out of print live cd on Persona Non Grata. They even played a great show here in San Francisco at the Kilowatt some years ago that some of us were lucky enough to witness. The prime elements of Shizuka's sound are the Keiji Haino-esque guitar storms of ex-Fushitsusha man Maki, combined with the haunting, sad female vocals of the band's namesake Shizuka (Japanophiles reading this probably also have seen her beautiful and spooky handmade dolls, on the cover of a Land of the Rising Noise comp and elsewhere). This band broke up a while ago, but have apparently recently reunited. No new material has been forthcoming, however, but they have released this live cd-r (recorded in 1995, before the break-up), which will be some consolation to fans. It's a 40-minute long live performance (complete with a fragment of the music being played through the PA prior to their set!) from a club in Tokyo. The recording is great, and their songs are phenomenal. Gorgeous, melancholic stuff, with the gently lulling singing of Shizuka being heartbreaking enough by itself, but also setting the listener up to be destroyed by the fantastic heavy psych controlled-noise outbursts of the guitar when they begin (usually a few minutes into each song). If you're already a Shizuka fan, you'll want this, and if you're into bands like Nagisa Ni Te, Slap Happy Humphrey, and Fushitsusha, you probably do too. Those with less expertise in modern underground Japanese psych -- but who dig the Velvets, Neil Young, or even an imaginary mix of Mazzy Star and Mogwai -- could do a lot worse for an introduction as well.  

Discogs                                             

Shizuka-天界のペルソナ(Persona In Heaven)

Shizuka - Live Shizuka

Shizuka - Tokyo Underground '95

Shizuka - Live: 伝承美学(live traditional aesthete)

Les Rallizes Dénudés (裸のラリーズ) - Metal Machine Music '82

Les Rallizes Dénudés (裸のラリーズ) - Metal Machine Music '82
Year: 2006
Recorded on October 2, 1982 at the Hiyoshi campus of Keio University, Yokohama.
117 minutes in total. Individual tracks accessible via menu.
Tracklist:
1.不明
2.夢割草
3.夜、暗殺者の夜
4.氷の炎
5.黒い悲しみのロマンセ
6.造花の原野
7.The Last One

http://rapidshare.com/files/350692572/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part1.rar

http://rapidshare.com/files/350692550/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part2.rar

http://rapidshare.com/files/350692776/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part3.rar

http://rapidshare.com/files/350692965/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part4.rar

http://rapidshare.com/files/350693006/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part5.rar

http://rapidshare.com/files/350693370/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part6.rar

http://rapidshare.com/files/350693909/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part7.rar

http://rapidshare.com/files/350692474/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part8.rar

Aihiyo

Aihiyo

Most classic Neo-Psychedelic

Aihiyo - Aihiyo
Label: Tokuma Japan Communications
Year: 28 Jun 1998
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Aihiyo - Live 
Label: P.S.F. Records
Year: 25 Jun 2000
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Laibach－Volk

Laibach－Volk
Year: 2007-02-20
Lable: Mute U.S.


Special 32-page hardbook packaging. VOLK contains 14 songs, 13 reinterpretations of national anthems and the NSK anthem.

Slovenia's infamous, LAIBACH, return with VOLK, their first studio album since 2003's powerful release WAT. VOLK (meaning 'people' in German), is based on National Anthems from countries around the world. The songs of the album form an entity that speaks about the political situation nowadays, it is an acknowledgement but also a warning for the future generations. In the process of recording, the band discovered that the essence of all these anthems is very bloody, even though these reflect the patriotic and national sentiment of these countries. Sonically, Laibach have always reinvented themselves but this album is an even more radical change. Even though Laibachian to its core, the album is based on melodic, nostalgic songs, with an electro-pop feel.　　 


Tracklist:
1. Germania - based on Das Lied der Deutschen (Germany)
2. America - based on The Star-Spangled Banner (USA)
3. Anglia - based on God Save the Queen (UK)
4. Rossiya - based on the post-2000 National Anthem of Russia
5. Francia - based on La Marseillaise (France)
6. Italia - based on Il Canto degli Italiani (Italy)
7. España - based on Marcha Real (Spain)
8. Yisra’el - based on Hatikvah (Israel) and Biladi (Palestine)
9. Türkiye - based on İstiklâl Marşı (Turkey)
10. Zhonghuá - based on March of the Volunteers (People's Republic of China)
11. Nippon - based on Kimi ga Yo (Japan)
12. Slovania - based on Hey, Slavs (unofficial Slavic anthem)
13. Vaticanae - based on Inno e Marcia Pontificale (Vatican City)
14. NSK - the anthem of the Neue Slowenische Kunst


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ＶＡＪＲＡ（バサラ）

灰野敬二+三上寛+石塚俊明=VAJRA
Keiji Haino+Mikami Kan+Toshiaki Ishizuka=VAJRA
Lable:P.S.F. Records
Discoge

Vajra - Chiru-Ha & Ozaki Jinja (1995)

Vajra - Tusgaru (1995)

Vajra - Ring (1996)

Vajra - Sichisiki (1997)

Vajra - Sravaka (1998)

Vajra - Mandalaキ・『やっと』 [Cat Last] (2002)

Vajra - Live (2002)

Speed, Glue & Shinki – Speed, Glue & Shinki

EVA-Speed, Glue and Shinki

“This far flung, double yellow Tiger bomber wrapped brown bag in paper was unleashed in Japan on Atlantic Records, Speed, Glue & Shinki’s second album did the impossible by being even more of a wrecked and loose a masterpiece as their previous album, Eve. Two separate LPs came tethered together in the oversized obi enclosure of one wraparound brown paper bag sleeve designed by the Taj Mahal Travellers’ self-made instrumentalist Michihiro Kimura. And the album’s lyric and credits sheet were littered with typos, crossed out words and all the reproductive cut marks, tape and detritus no white-out or non-repro blue zone exposure of all fuckups unmasking. And most of the music here on their final and eponymous named effort mirrored this, comprised of one-takes mishandled with searing guitar overdubs, occasional phasing on the drums and a direction mapped out not by some flimsy, preconceived fad but by a truly unselfconscious and of-the-moment reaching, succeeding and staggering just over the finish line in such a sublimely wrecked and burnt manner that it made an art form out of just teetering on the edge of falling apart altogether. It’s a miracle it was ever played and recorded, let alone released for Speed, Glue & Shinki were loose cannons on the loosest ship of the loosest navy ever and seemed more like three stringless kites that soared so high upon the currents of Rock they never came down. Nothing was ever a big deal for these guys, they were so damn loose.

Sides 1&2 of Tiger Album the First starts off with sniffing, snorting and overall gleeful knocking stuff all over the place during a bargain basement jumble in the dark for “Sniffin’ & Snortin’ Pt. 1 (Vitamine C)” barges in and kicks down the door with a sonic moronic display driven off the edge with Shinki’s buzz-sawn-off Chuck Berry riffing shot up with immediate stomp appeal and Joey Smith’s lead foot kick drum stepping on the gas and bashing out at all around him…And to think that this is only a warm-up exercise for once the faders and mental house lights go up on “Run And Hide,” the band are firing on all cylinders at once, cutting loose like a retarded version of “The Immigrant Song.” Backwards. And slowed to 8rpm. Minus a handful of random notes. Sort of. Album side the Second of Album No. 1 begins with a gradual build of super-phased drumming that projects outward through a massive mushroom cloud exhalation of cannabis sativa and they’re off and walking through “Flat Fret Swing.” Joey’s vocals once more swell like a big Louis Armstrong (and a little headstrong Mark E. Smith) soul holler lodged in the throat against the horizontal, mid-tempo backing.

Sides 3&4 of Tiger LP No. 2 begins with a word from behind the now streaming, sweaty and belaboured kit of Smith after downing a long, tall cool one. Smacking his lips, he do declare “That’s the best wine I’ve ever tasted” and he’s already crashed into his cymbals, prefaced with another quick drum roll and is already headlong into his Armstrong-along-60-second-long holler, “Doodle Song.” After which, they just grease most of the album side out in the most wrecked and transcendental way possible. Smith calls out to regroup with a “Right!” “Yeah!” and “Ya ready?” and they break directly into the epic “Search For Love.” Oh, Motherfucker. What a track. The running time sez 8:44, which is ridiculous: for time seems all but suspended for the duration of the raging depths of this howling, sprawling track. The intro to “Moby Dick” off “Zeppelin Album No. One” is all but hustled roughly into a burlap sack with the drum solo thrown off the back of the Speed, Glue & Shinki 18-wheeler as they head steaming down the highway on 24 hour beaver patrol: But at 80mph in fourth gear with their collective scroti dragging behind them alongside a case of empty Sapporo beer cans and 12 drained plastic gallon jugs of Happy Sunshine cough mixture marked ‘For Institutional Use Only’; set off by two oversized silver foil pinwheels that catch, refract and shine into all eyes of creation sun’s bright rays of illuminated genius at the gates of dusk as impromptu sunspots get caused by residual white powder still alighting on the surface from the previous night’s snort-sesh. The main part is hazardously heavy and simple and Hanopol brays out the vocals swaggering all the way. All else cuts out during the guitar solo number 1: overlaid with the very same number 1 and staggered directly at the only point where it could and does extend into a 3D topographic mind map of the DNA emotion spiral in ancient memory banks’ nighttime deposits of the contact high as exquisitely overdriven bass amplitudes in a howling buzz discharged from the belching innards of Rock Behemoth until all fades out to leave Shinki alone perched upon a cloud with his guitar, plugging into the rising sun rays extending from behind as they exchange complimentary, throbbing hues and using them as amplification. It all vanishes like the techincolour daydream it is, awakening back to the “Moby Dick”-ed up introduction and the vocals. Bass resounds, thunder craps, rain and wind storm and through this weather pattern breaks through another insane guitar solo. Out cuts a trap door from within and TADA out falls Joey Smith still rapping out his spastically insistent drum heads while Pinoy brother Michael brays out his will to get woman, get high, get good and stoked and fucked. Enter guitar solo two number up causing heavens to thunder and split and crack open with rain to make the parched drains green with moss and make love grow in one’s head, body caught in uncontrollable shudder, to shake your brains to the core, body to the mantle and spirit out of baked seasonal crust. Dough girl smiles from within, winking. Me, too…a pinky. Thunderclaps drown it out as crickets and other mossy denizens resound in humid black air.

Completing an ingenious album that is one of the best records of the hard rock idiom stoned emperor 100 percent comes the run-on suite of “Sun”/“Planets”/“Life”/“Moon” and “Song For An Angel” performed on Moog synthesizer for Side four’s entire seventeen minute duration. A lift-off from all earthly desires prostrate on the floor as a series of charged electronic trajectories waft and smear together. Even on Moog synthesizer, Joey Smith makes it as Rock as his vocals, drumming and guitar playing because his attitude is so strong, careless and perfect, discharging a slow motion round of rocket launchings, pink noise twittering and knuckle dragging undertows as the air-locked elevation of soul continues to jettison all with Moog starship to lift-off beyond prefecture of asteroid, stratospheric inner space where neurons circle and spark brain coral of interior pink neon to litter all around sensation’s head quarters to ultimate collision with your only self. Self and soul unite. In your head. Forever.”

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