Reissue: 2006-10-25
Lable: Jvc Victor
Tracklist:
1. ぼんぼの唄
2. (野坂昭如弁説)
3. 星の流れに
4. ミロール
5. (野坂昭如弁説)
6. 黒の舟唄
7. 春(野坂唄之新古今集より)
8. 夏(野坂唄之新古今集より)
9. 秋(野坂唄之新古今集より)
10. 冬(野坂唄之新古今集より)
11. バイバイ・ベイビー
12. バージン・ブルース
13. マリリン モンロー ノーリターン
14. (手じめ)
Download
29 June 2010
野坂昭如-不浄理の唄
Reissue: 2006-10-25
Lable: Jvc Victor
Tracklist:
1. ぼんぼの唄
2. (野坂昭如弁説)
3. 星の流れに
4. ミロール
5. (野坂昭如弁説)
6. 黒の舟唄
7. 春(野坂唄之新古今集より)
8. 夏(野坂唄之新古今集より)
9. 秋(野坂唄之新古今集より)
10. 冬(野坂唄之新古今集より)
11. バイバイ・ベイビー
12. バージン・ブルース
13. マリリン モンロー ノーリターン
14. (手じめ)
Download
28 June 2010
泉谷しげるライブ サブ・トータル
Reissue lable: ELEC
Tracklist:
Disc1
1. つなひき
2. 告白のブルース
3. 白雪姫の毒リンゴ
4. ちきしょう
5. ひとりあるき
6. ブルースを唄わないで
7. 春夏秋冬
8. 老人革命の唄
9. 春のからっ風
Disc2
1. おー脳!!
2. 君の便りは南風
3. 黒いカバン
4. 陽が沈むころに
5. 戦争小唄
6. 個人的理由
7. 鏡の前のつぶやき
8. 無限大食
9. 行きずりのブルース
10. 国旗はためく下に
11. 里帰り
Download
27 June 2010
鈴木常吉 - ぜいご
思ひで is the OST of Japanese series 深夜食堂
This album is more pop/folk
Tracklist:
1. 疫病の神
2. アイオー夜曲
3. くぬぎ
4. アカヒゲ
5. サマータイム
6. ワーリー・ブルース
7. 目が覚めた
8. 石
9. 藪
10. ミノ君
11. 煙草のめのめ
12. 父のワルツ
13. 思ひで
14. お茶碗
Download
pw: kmc
18 June 2010
野坂昭如 - 分裂唄草紙
Year: 1974.06.10
label: elec
Tracklist:
1. 終末のタンゴ
2. 巡礼
3. 金地獄雀歌草紙
4. 十人の女学生
5. おんじょろ節
6. うられうられて
7. 河
8. スケッチ
9. 大懺悔
10. 酒を
11. できそこないのロック
2. 巡礼
3. 金地獄雀歌草紙
4. 十人の女学生
5. おんじょろ節
6. うられうられて
7. 河
8. スケッチ
9. 大懺悔
10. 酒を
11. できそこないのロック
15 June 2010
Hölderlin - Hölderlins Traum
Hölderlin（Hoelderlin） - Hölderlins Traum Country: Germany
Year: 1972
Members
* Nanny De Ruig (vocals),
* Christoph "Nops" Noppeney (violin, viola, piano, flute),
* Peter Käseberg (bass, acoustic guitar, vocals),
* Michael Bruchmann (drums, percussion),
* Jochen Grumbcow (cello, flute, acoustic guitar, piano, organ, Mellotron),
* Christian Grumbcow (guitars),
* Hans Bäär (bass, guitar)
* Peter Bursch (sitar, Track 03)
* Mike Hellbach (tablas, Track 03)
* Walter Westrupp (flute Track 05)
Tracklist:
01. Waren wir (4:53)
02. "Peter" (2:52)
03. Strohhalm (2:20)
04. Requiem Für Einen Wicht (6:32)
05. Erwachen (4:20)
06. Wetterbericht (6:34)
07. Traum (7:20)
- Total Time: 34:51
----------------------------------------------------------------------------------
Progressive rock ("prog") is an ambitious, eclectic, and often grandiose style of rock music which arose in the late 1960s principally in England, reaching the peak of its popularity in the early 1970s, but continuing as a musical form to this day. Progressive rock was largely a European movement, and drew most of its influences from classical music and jazz fusion, in contrast to American rock, which was influenced by rhythm & blues and country, although there are notable exceptions in the New World such as Kansas and Rush — considered by many to be the finest examples of the form. Over the years various sub-genres of progressive rock have emerged, such as symphonic rock, art rock and progressive metal. Progressive rock artists sought to move away from the limitations of radio formatted rock and pop, and "progress" rock to the point that it could achieve the sophistication of jazz or classical music. It is admired by its fans for its complexity, requiring a high level of musical virtuosity to perform. Critics have often derided the genre as pompous and self-indulgent. This is because, unlike such stylistically consistent genres as country or hip hop, progressive rock is difficult to define in a single conclusive way. Outspoken King Crimson leader Robert Fripp has voiced his disdain for the term. The major acts that defined the genre in the 1970s (Yes, Genesis, Emerson Lake and Palmer, Rush and King Crimson) do not sound alike. There is also debate on whether bands such as The Beatles, Phish, and Radiohead belong to the genre.
----------------------------------------------------------------------------------
"Holderlins Traum" is the debut album of the German progressive folk band Hoelderlin. This is a great album! The whole album has a dreamy and pastoral atmosphere and everything is kept pretty low key. Acoustic guitars and a few percussion instruments dominate the album, often adorned with some keyboards (mellotron and organ) and other instruments like flutes, recorders, violin and sitars. The vocal performances are great, very calm and add to the atmosphere of the album. It is all sung in German and even though I am a native English speaker, this greatly adds to the feel of the album and is something I miss in later Hoelderlin albums. The album begins with a hypnotic melody that really sets the mood for the entire album: slightly dark but dreamy. The music is obviously very folkish but also looks to classical music for influence in their song arranements. The more conventional folk songs ,,Peter'' and "Strohhalm" are good, but the band really shines with their longer pieces like "Requiem Fur Einen Wicht," "Wetterbericht" and "Traum". These really show their true capabilities. I would highly recommend this album to anyone looking for good progressive folk music that is a little different than what you would expect.
----------------------------------------------------------------------------------
First album by this German band who started off with progressive folk rock leanings. This is possibly their best album richly textured and with a gorgeous female vocal and stands up with the best of seventies Kraut Rock for its invention and sheer class. A ravishing album, very folk, acoustic and dreamy with nice, abundant female vocals. This is their best and unique highly recommended effort they made. Celestial and floating kraut / folk music whose approach can be compared with Broselmaschine, Emtidi and others. An eastern flavour is added by the use of the sitar, also a subtle jazzy guitar touch, mainly improvised for long solo interludes. Specials guests as Walter Westrupp, Peter Bursch contribute to make this album an inspired progressive rock item with many acoustic ingredients added in a kind of fusion style. Holderlins Traum is very fine for every prog folk lovers.
* Christoph "Nops" Noppeney (violin, viola, piano, flute),
* Peter Käseberg (bass, acoustic guitar, vocals),
* Michael Bruchmann (drums, percussion),
* Jochen Grumbcow (cello, flute, acoustic guitar, piano, organ, Mellotron),
* Christian Grumbcow (guitars),
* Hans Bäär (bass, guitar)
* Peter Bursch (sitar, Track 03)
* Mike Hellbach (tablas, Track 03)
* Walter Westrupp (flute Track 05)
Tracklist:
01. Waren wir (4:53)
02. "Peter" (2:52)
03. Strohhalm (2:20)
04. Requiem Für Einen Wicht (6:32)
05. Erwachen (4:20)
06. Wetterbericht (6:34)
07. Traum (7:20)
- Total Time: 34:51
----------------------------------------------------------------------------------
Progressive rock ("prog") is an ambitious, eclectic, and often grandiose style of rock music which arose in the late 1960s principally in England, reaching the peak of its popularity in the early 1970s, but continuing as a musical form to this day. Progressive rock was largely a European movement, and drew most of its influences from classical music and jazz fusion, in contrast to American rock, which was influenced by rhythm & blues and country, although there are notable exceptions in the New World such as Kansas and Rush — considered by many to be the finest examples of the form. Over the years various sub-genres of progressive rock have emerged, such as symphonic rock, art rock and progressive metal. Progressive rock artists sought to move away from the limitations of radio formatted rock and pop, and "progress" rock to the point that it could achieve the sophistication of jazz or classical music. It is admired by its fans for its complexity, requiring a high level of musical virtuosity to perform. Critics have often derided the genre as pompous and self-indulgent. This is because, unlike such stylistically consistent genres as country or hip hop, progressive rock is difficult to define in a single conclusive way. Outspoken King Crimson leader Robert Fripp has voiced his disdain for the term. The major acts that defined the genre in the 1970s (Yes, Genesis, Emerson Lake and Palmer, Rush and King Crimson) do not sound alike. There is also debate on whether bands such as The Beatles, Phish, and Radiohead belong to the genre.
----------------------------------------------------------------------------------
"Holderlins Traum" is the debut album of the German progressive folk band Hoelderlin. This is a great album! The whole album has a dreamy and pastoral atmosphere and everything is kept pretty low key. Acoustic guitars and a few percussion instruments dominate the album, often adorned with some keyboards (mellotron and organ) and other instruments like flutes, recorders, violin and sitars. The vocal performances are great, very calm and add to the atmosphere of the album. It is all sung in German and even though I am a native English speaker, this greatly adds to the feel of the album and is something I miss in later Hoelderlin albums. The album begins with a hypnotic melody that really sets the mood for the entire album: slightly dark but dreamy. The music is obviously very folkish but also looks to classical music for influence in their song arranements. The more conventional folk songs ,,Peter'' and "Strohhalm" are good, but the band really shines with their longer pieces like "Requiem Fur Einen Wicht," "Wetterbericht" and "Traum". These really show their true capabilities. I would highly recommend this album to anyone looking for good progressive folk music that is a little different than what you would expect.
----------------------------------------------------------------------------------
First album by this German band who started off with progressive folk rock leanings. This is possibly their best album richly textured and with a gorgeous female vocal and stands up with the best of seventies Kraut Rock for its invention and sheer class. A ravishing album, very folk, acoustic and dreamy with nice, abundant female vocals. This is their best and unique highly recommended effort they made. Celestial and floating kraut / folk music whose approach can be compared with Broselmaschine, Emtidi and others. An eastern flavour is added by the use of the sitar, also a subtle jazzy guitar touch, mainly improvised for long solo interludes. Specials guests as Walter Westrupp, Peter Bursch contribute to make this album an inspired progressive rock item with many acoustic ingredients added in a kind of fusion style. Holderlins Traum is very fine for every prog folk lovers.
14 June 2010
静香 (shizuka)
Japan's Shizuka were once (and maybe are again) an up-and-coming four-piece Tokyo psych outfit, you might know 'em from their contributions to PSF's Tokyo Flashback compilation series, or their studio album on that same label, or their amazing but now sadly out of print live cd on Persona Non Grata. They even played a great show here in San Francisco at the Kilowatt some years ago that some of us were lucky enough to witness. The prime elements of Shizuka's sound are the Keiji Haino-esque guitar storms of ex-Fushitsusha man Maki, combined with the haunting, sad female vocals of the band's namesake Shizuka (Japanophiles reading this probably also have seen her beautiful and spooky handmade dolls, on the cover of a Land of the Rising Noise comp and elsewhere). This band broke up a while ago, but have apparently recently reunited. No new material has been forthcoming, however, but they have released this live cd-r (recorded in 1995, before the break-up), which will be some consolation to fans. It's a 40-minute long live performance (complete with a fragment of the music being played through the PA prior to their set!) from a club in Tokyo. The recording is great, and their songs are phenomenal. Gorgeous, melancholic stuff, with the gently lulling singing of Shizuka being heartbreaking enough by itself, but also setting the listener up to be destroyed by the fantastic heavy psych controlled-noise outbursts of the guitar when they begin (usually a few minutes into each song). If you're already a Shizuka fan, you'll want this, and if you're into bands like Nagisa Ni Te, Slap Happy Humphrey, and Fushitsusha, you probably do too. Those with less expertise in modern underground Japanese psych -- but who dig the Velvets, Neil Young, or even an imaginary mix of Mazzy Star and Mogwai -- could do a lot worse for an introduction as well.
12 June 2010
佐井好子（Sai Yoshiko）
萬華鏡 (Mangekyō) [1975/8/25]
1. 夜の精
2. 冬の地下道
3. 逢魔ヶ時
4. 恋した人へ
5. 椿は落ちたかや
6. 酔ひどれ芝居
7. 紅い花
8. 二十才になれば
9. 雪女
10. 見果てぬ夢
2. 冬の地下道
3. 逢魔ヶ時
4. 恋した人へ
5. 椿は落ちたかや
6. 酔ひどれ芝居
7. 紅い花
8. 二十才になれば
9. 雪女
10. 見果てぬ夢
蝶のすむ部屋 (Chō no Sumu Heya)[1978/12/25]
1. とべとべ飛行船
2. 母さまへ
3. 耳のない仔猫
4. 夜の窓
5. 淋しい印度人
6. 蝶のすむ部屋
7. ねこのこねこ
8. 日曜日
9. あの青い空には神様がすんでる
10. 鬼づくし
11. 白い鳥
2. 母さまへ
3. 耳のない仔猫
4. 夜の窓
5. 淋しい印度人
6. 蝶のすむ部屋
7. ねこのこねこ
8. 日曜日
9. あの青い空には神様がすんでる
10. 鬼づくし
11. 白い鳥
.jpg)
密航 (Mikkō) [1976/7/25]
1. THEME / 母さまのうた
2. 鏡地獄
3. 春
4. 絹之道
5. 人のいない島
6. 眠りのくに
7. 天使のように
8. 漂流船
9. 密航
2. 鏡地獄
3. 春
4. 絹之道
5. 人のいない島
6. 眠りのくに
7. 天使のように
8. 漂流船
9. 密航
胎児の夢 (Taiji no Yume)[1977]
1 ヒターノ - Gitano
2 アルハンブラの青い壜 - Alhambra no Aoi Bin
3 ある晴れた夜 - Aru Hareta Yoru
4 波止場 - Hatoba
5 春の夢 - Haru no Yume
6 海の沈黙 - Umi no Chinmoku
7 青いガラス玉 - Aoi Garasudama
8 遍路 - Henro
9 白昼夢 - Hakuchumu
10 胎児の夢 - Taiji no Yume
タクラマカン(Taklamakan)[2008]
1. ボン・ボヤージュ
2. Today and Tomorrow
3. ひら ひら
4. 変わり者
5. 春の川
6. 迷いの神
7. 旅は終わらない
8. デ・ジャヴ
9. 青い花
10. タクラマカン
2. Today and Tomorrow
3. ひら ひら
4. 変わり者
5. 春の川
6. 迷いの神
7. 旅は終わらない
8. デ・ジャヴ
9. 青い花
10. タクラマカン
LIVE 1976/79[2008]
1. 酔ひどれ芝居
2. 春
3. 鏡地獄
4. 恋した人へ
5. 眠りのくに
6. 人のいない島
7. 母さまのうた
8. 春の夢
9. 蝶のすむ部屋
10. ひとよ酒
11. 遍路
12. 眠りのくに
2. 春
3. 鏡地獄
4. 恋した人へ
5. 眠りのくに
6. 人のいない島
7. 母さまのうた
8. 春の夢
9. 蝶のすむ部屋
10. ひとよ酒
11. 遍路
12. 眠りのくに
11 June 2010
Current 93-Baalstorm Sing Omega
Year: 2010-07-06
Label: Coptic Cat (Cargo Records)
Tracklist:
I Dreamt I Was Aon
With Flowers In The Garden Of Fires
December 1971
Baalstorm!Baalstorm!
Passenger Aleph In Name
Tanks Of Flies
The Nudes Lift Shields For War
Night!Death!Storm!Omega!
I Dance Narcoleptic
Eluveitie
Eluveitie－Evocation I - The Arcane Dominion
Year: 2009-04-17
Lable: Nuclear Blast
Tracklist:
01. Sacrapos - At First Glance
02. Brictom
03. A Girls Oath
04. The Arcane Dominion
05. Within The Grove
06. The Cauldron Of Renascence
07. Nata
08. Omnos
09. Carnutian Forest
10. Dessumiis Luge
11. Gobanno
12. Voveso In Mori
13. Memento
14. Ne Regv Na
15. Sacrapos - The Disparaging Last Gaze
02. Brictom
03. A Girls Oath
04. The Arcane Dominion
05. Within The Grove
06. The Cauldron Of Renascence
07. Nata
08. Omnos
09. Carnutian Forest
10. Dessumiis Luge
11. Gobanno
12. Voveso In Mori
13. Memento
14. Ne Regv Na
15. Sacrapos - The Disparaging Last Gaze
Eluveitie-Everything Remains: As It Never Was
Year: 2010-03-09
Lable: Nuclear Blast
Tracklist:
01. Otherworld02. Everything Remains as it Never Was
03. Thousandfold
04. Nil
05. The Essence of Ashes
06. Isara
07. Kingdom Come Undone
08. Quoth the Raven
09. (Do)Minion
10. Setlon
11. Sempiternal Embers
12. Lugd'non
13. The Liminal Passage
10 June 2010
Les Rallizes Dénudés (裸のラリーズ) - Metal Machine Music '82
Year: 2006
Recorded on October 2, 1982 at the Hiyoshi campus of Keio University, Yokohama.
117 minutes in total. Individual tracks accessible via menu.
Tracklist:
1.不明
2.夢割草
3.夜、暗殺者の夜
4.氷の炎
5.黒い悲しみのロマンセ
6.造花の原野
7.The Last One
http://rapidshare.com/files/350692572/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part1.rar
http://rapidshare.com/files/350692550/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part2.rar
http://rapidshare.com/files/350692776/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part3.rar
http://rapidshare.com/files/350692965/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part4.rar
http://rapidshare.com/files/350693006/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part5.rar
http://rapidshare.com/files/350693370/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part6.rar
http://rapidshare.com/files/350693909/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part7.rar
http://rapidshare.com/files/350692474/Les_Rallizes_Denudes_-_Metal_Machine_Music_82.part8.rar
Subscribe to:
Posts (Atom)